Why?
One artists' first comic strip ('Life in General') is about her not having any ideas for one and begging for love from readers. Comp
One artists' first comic strip ('Life in General') is about her not having any ideas for one and begging for love from readers. Completely uncute and the egocentricity leaves a bad taste in my mouth. Like those self-important kids in Gaia. The dialogue is too small (poorly planned out panels) and she places too much unnecessary details into the strip.
'CannDeeCorn' really irritated me probably because it is not even stupid. It's dull. Maybe the cartoonist is trying to do reflect school life and comment on attitude or something, but
'CannDeeCorn' really irritated me probably because it is not even stupid. It's dull. Maybe the cartoonist is trying to do reflect school life and comment on attitude or something, but
it didn't make sense; the students looks apathetic, not depressed! The simplicity and featureless style is not bad, but as a result, the details on the face, especially the mouth, stood out so much that it really bothers me. And there's not enough contrast between the focus (the prof.) and the mass (the students). And honestly, usually it's the back row that gets the shading, not the front. So the "..." in the back didn't stand out at all. Just, gah, no thought into it at all. So annoying thoughtless.
Yesterday's 'Iron Easily' is okay in the way chit-chat is okay—it's not funny or of substance, but it's very very mildly entertaining. At least it was zero rather than a negative. Because he used a slanted brush to line, doesn't systematically close his lines, draws everything in roundish free form, and no tone at all, had I had trouble distinguishing his furniture with his people.
'The Kids Aren't All Right' is not even worth commenting on. I'll pretend it doesn't exist.
Monday's 'Confounding Variables' is...in development. Style, planning, lining, printing,...everything. This is the first strip, but it reads like the readers are supposed to know what's going on already. Makes me think that she is a freshmen and this is her experience as the older sibling. Not cute. Especially when I believe that she's portraying herself as a wise older sib whom the younger seeks advice from. Not cute, not funny. I feel that something is missing between panel two and three. It'd probably benefit from some reaction from the younger sib before the older tells the younger to untie her. Oh, and the forehead bothers me, but that's a stylistic thing, so fine. (BTW, she's a sophomore in class standing.)
'Square One' is cute though. Teehee, secret weapon (is ten). It would be even better if she had some depth to her panels (crosshatches, shading, variation on line thickness) so it doesn't look as incomplete. But hey, best I've seen so far!
Other stuff: Hand-written dialogues are only fine if the artists' handwriting is like print. Like an architect's handwriting, with less swoosh. Or rather, consistent, unobtrusive, and doesn't stand out (as bad, messy, girly, fat, skinny, uneven, etc, etc.) I'm really sick of reading shoddy type. 'Nearing Acheron' was so much more pleasant.
Yesterday's 'Iron Easily' is okay in the way chit-chat is okay—it's not funny or of substance, but it's very very mildly entertaining. At least it was zero rather than a negative. Because he used a slanted brush to line, doesn't systematically close his lines, draws everything in roundish free form, and no tone at all, had I had trouble distinguishing his furniture with his people.'The Kids Aren't All Right' is not even worth commenting on. I'll pretend it doesn't exist.
Monday's 'Confounding Variables' is...in development. Style, planning, lining, printing,...everything. This is the first strip, but it reads like the readers are supposed to know what's going on already. Makes me think that she is a freshmen and this is her experience as the older sibling. Not cute. Especially when I believe that she's portraying herself as a wise older sib whom the younger seeks advice from. Not cute, not funny. I feel that something is missing between panel two and three. It'd probably benefit from some reaction from the younger sib before the older tells the younger to untie her. Oh, and the forehead bothers me, but that's a stylistic thing, so fine. (BTW, she's a sophomore in class standing.)'Square One' is cute though. Teehee, secret weapon (is ten). It would be even better if she had some depth to her panels (crosshatches, shading, variation on line thickness) so it doesn't look as incomplete. But hey, best I've seen so far!
Other stuff: Hand-written dialogues are only fine if the artists' handwriting is like print. Like an architect's handwriting, with less swoosh. Or rather, consistent, unobtrusive, and doesn't stand out (as bad, messy, girly, fat, skinny, uneven, etc, etc.) I'm really sick of reading shoddy type. 'Nearing Acheron' was so much more pleasant.
HAI I SPENT $55 ON COPICS TODAE. LOLOLOLOLOL.
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